I'm a destination wedding photographer. I'm excited to photograph weddings in the Tuscan countryside, but also to travel and discover new places, meet people and experience new cultures whilst photographing weddings around the world. I love naturalness and spontaneity and always look to capture emotions. I’m cheerful, outgoing, stubborn and resourceful. I love the good vibes and positive people. [Florence Wedding Photographer]

Born in Florence, Edoardo inherited his father’s passion for travel and for photography so much so it became his profession. Edoardo’s travels began at the age of 9 (he has travelled on more than 130 expeditions all over the world) and has allowed him to develop a special sensitivity in his mind and heart allowing him to grasp reality in all its beauty and depth. His photography is reportage - whether it be a trip, a wedding or a backstage event. His meetings with important international photographers has allowed him to grow and learn to photograph in relation to his subject. The advice and teachings of Steve McCurry on the study of light were valuable lessons and left an indelible mark on his way to shoot photography. For the last several years, Edoardo’s photography has been undergoing a new change under the influence of new photographers such as Paolo Pellegrin and his ways of telling stories and Micheal Ackerman for his perception of reality. Edoardo is a member of important international associations: Wedding Photojournalistic Association, Artistic Guild WPJA, ISPWP. These associations are some of the most important associations that welcome American and British photographers after careful screening and only select the best international photographers that shoot wedding photography in reportage style. Edoardo is also founder of Best of Wedding Photography. Edoardo has also participated in reportage photography and wedding photography in numerous events, seminars and workshops in Italy, in 2013 and in 2014 he was invited as a speaker in Spain and in Brazil in some of the most important conventions on wedding photography in the world. Edoardo and his team of wedding photographers have been requested all over the world by the most important international wedding planners: Perth (Australia), St. Petersburg (Russia), New Orleans, New York, Bozeman (USA), Puerto Vallarda (Mexico), London, Brighton, Oxford (UK), Paris (France), Lagos (Nigeria), Edinburgh (Scotland) and others. Awards and accolades On Photojournalism and documentary Over the past 10 years he has received numerous awards in wedding photography and travel reportage. Among the most important are: the first prize in the category People in the UK contest Black and White Spider, winner of the National Geographic Contest, first place in the Masters Cup Color American; first place in Photojournalism category at International Color Awards; silver medal in One Eyeland Photography contest and honorable mentions in the IPA (Lucie Awards) in the sections' feature essay and the Royal Geographic Society in TPOY. On Wedding Edoardo Agresti was elected in 2008, 2009 and 2011 'Photographer of the Year' by the National Association of wedding photographers www.anfm.it. Also in 2011 he was elected POY - Photographer Of the Year - by the American Association AGWPJA, www.agwpja.com. Edoardo entered the list of the most important 50 wedding photographers in the world by the prestigious Association Junebug in 2009, 2011 and 2014. In 2015 Edoardo has been selected to be one of the international judges in the most important chinese photographic festival CPA. In 2016 First prize for 'Wedding album (single photographer)' at WPPI annual contest in Las Vegas In 2017 First running up as Photographer of the Year on AgWPJA [Florence Wedding Photographer]

I’m a Tuscany wedding photographer based in Siena, but I work in all of Italy for weddings. I have taken photos for weddings in Siena, Florence, Arezzo, Perugia, Assisi, Gubbio, Milano, Como Lake, Rome, in the Chianti hills, in Val D’Orcia, and in many other beautiful italian locations. I have a reportage style in which a discrete approach, attention to details and spontaneity are the main ingredients. I always have this objective: to create a story through photos, a photo narration as faithful and natural as possible. That’s why from the beginning, I try to establish starting with the first contact with the future bride and groom, a rapport or feeling of confidence to create a tranquil and relaxed atmosphere that permits me to give life to natural and spontaneous photos full of meaning and sentiment. I was born in Siena in 1977. I graduated with a degree in political science and I obtained a doctorate in the history of European political parties. After working several years at the University of Siena, various events and my passion for photography led me to the decision to become a professional photographer. Shortly after starting my career as an exclusive Tuscany wedding photographer, I was fortunate enough to gain experience in the art world. I published for the magazines Play Boy Italy and Art Tribune and showed my photos at exhibitions at various art galleries ( Wikiarte, Magazzini del Sale). After the birth of my first daughter ( Maria Ludovica) my main focus became to be a Siena Wedding Photographer, a exclusive Tuscany wedding photographer and everywhere in Italy. I know every angle of my marvelous region: Siena, Florence, Arezzo and all of the beautiful villages and towns. San Gimignano, Chianti hills, Val d’Orcia and the Crete senesi hold no secrets for me. Other than wedding photography, I also teach at “ Studiumfotografia”, a school I created, where I advise many up and coming photographers. After the birth of my second daughter (Maria Luce), the University of Siena gave me the honor of the position of visiting lecturer of digital communications in photography. When I’m not working (rarely) I dedicate myself to my passions: naturally Ludi and Luce, but I also love watching movies, reading and I cannot live without music! Contact me for your Exclusive Tuscany wedding photographer. [Siena Wedding Photographer]

I'm a keen observer. I've always been. I remember my mom kept telling me not to stare at people when I was a kid. I don't seem to have listened as I keep staring at people, only now I do it through the viewfinder of my camera. My interest in photography started back in the mid-'80s when I was barely a teenager. I saved for over a year to afford my first camera, which was a Nikon FM2 with a 50mm lens. A fully manual, film camera that I still own to this day and that still takes perfectly good pictures. It was a time when cameras and photographs were both meant to last. Cameras were mostly mechanical machines and photographs were physical prints, created on film and impressed on paper. There was something tangible about taking a picture and pictures, even normal family vacation pictures, were taken to make a statement. I remember leaving for several days with my family and I could take with me 1 or maybe 2 rolls of film. That was 36 or 72 exposures total. So, pressing the shutter was something exciting that came at the end of a thoughtful process, which could take minutes or a split second, but still: taking a picture was making a statement. And if you think about it, these photographs are still around, be it in albums or boxes in the closet. It may be your pictures as a child or the pictures of your parents or grandparents. They are still doing their work of preserving a memory, of passing down to generations information about people who came before us. They are telling us who we are and where we come from. Fast forward a few decades, come digital sensors and smartphones and photography has radically changed, in that cameras seem to only last a few years before going obsolete and pictures are taken by the thousands, very few of which, if any, will ever be printed and stand any chance to be looked at by anyone in 10 years or more. Still, my job is to take photographs of weddings and I like to come from the bygone era of photography that was meant to last when the shutter was pressed to make a statement. That has stuck with me, even if I'm working with digital cameras and the 36 exposures roll has turned into a multi-thousand pictures capacity memory card. My mindset hasn't changed, the excitement of seeing all the elements come together to make the frame I am looking for and pressing the shutter, that hasn't changed either. I'm entering my 10th year as a professional wedding photographer now. It all happened almost by chance, when I was facing decisions about my 15 years long corporate career and my personal life had me rethink my professional path. I was asked to shoot a friend's wedding but I hadn't practiced photography since ages. I learnt photography technique when I was in my teens then put it aside as my hobby is and has always been guitars. So I borrowed a digital camera and took this people's wedding pictures without ever been taught how to shoot a wedding. I just went out there and took pictures of what I saw, without ever giving directions to anyone as I had no idea how things were supposed to be directed. It was documentary wedding photography without me knowing it. Turns out, everybody loved the pictures. I was loving guitars and music so much and hoping to be loved back but as it went, photography loved me more than guitars ever did. I had a talent and the responsibility of making it grow. In the meanwhile, I started my business. I already had the basic techniques down from my younger days, so I studied the work of the masters. Photographers that always appealed to me such as W. Eugene Smith, H. Cartier Bresson, Don Mc Cullin, Elliott Erwitt, Salgado and the more I studied, the more I discovered, the more books I acquired: Alex Webb, Fan Ho, Josef Koudelka, Bruce Gilden, Robert Frank, James Nachtwey among the others. The best way to improve your lexicon is to read books. Likewise for photography, studying the work of the masters on photography books is what develops your own photographic language. What educates your way of looking at things and crafting a picture, to make your statement. To this day, I've shot approximately 300 weddings. Anything from eloping couples and a pair of guests to 200+ people events. No matter how big and fancy or small and simple, it's always about telling the story of my clients through my pictures. It's about putting my photography lexicon to work to craft images that will be true to my clients, to their day, to their vision. They provide the content, I provide the style. Simple as that. [Savona Wedding Photographer]

I'm born in Pisa, in Tuscany, in 1985. I studied Multimeda Arts in Accademia di Belle Arti di Carrara and then I moved to Berlin for studying photography. After some years, I come back in Pisa where actually I live and work. [Pisa Wedding Photographer]

My approach to photography began by chance. Thanks to my partner Alice Franchi I discovered this wonderful world. I'm only 4 years that I dedicate myself to photography, above all to reportage style wedding photography, I follow Alice in the various weddings of the year. I really like the style of reportage because I can represent people in their happiest and most natural moments, involving me in the party customers do not see me as a stranger, but an integral part of the event so that he can capture the most beautiful moments. [Pistoia Wedding Photographer]

My name is Federico Pannacci, I’m a professional wedding photographer and lifestyle. I really love to fly and live in tuscany with my mate, my daughter and my red cat ( Spritz! ). I never liked my image on the mirror, I never felt my shape as something of photogenic, for these reason I met photography, it was the way to study how to express the shape of the life in the same way my heart and mind felt it. This is the reason why my photography is genuine and natural but contaminated from a dreamy and artistic trend. [Siena Wedding Photographer]

When I started university, I got a camera from my brother. I instantly fell in love with photography and within a year, I bought myself a "pro" camera and started shooting for a local fashion agency. It was a great job for a student and I learned so much about working with light and people, as well as all the editing, colors and composition. While I enjoyed the job I was aiming for a more photo journalistic approach in my shoots. Later, a friend called me and asked if I can shoot at a wedding. It was a life changing experience for me. I really enjoyed the shoot and later on I started to get calls from newlywed friends and friends of their friends... It was like an avalanche and I became fully immersed in the world of wedding photography. That was seven years ago. At the same time, I was deeply interested in yoga and zen and I was searching for the same approach in photography - creating a simple, clean and highly polished look, but still far away from overdone image alteration. I believe a good shot must stand on it's own and not on effects added in postproduction. Photojournalistic way of shooting works for me: I love to get the essence of the moment, to catch the magic of people’s interactions and emotions, as well as the atmosphere of the locations themselves. And I must admit I also love to hear my clients talk about how the images bring them back in time and make them re-live the best moments once again. I do not cover only weddings, I use my talent and experience to capture the beauty in life all around. I shoot people in love and their kids. I shoot portraits and I shoot bikes too. Don't laugh. Biking is a part of my life and naturally, I'm the one with a camera. Around the house or in Italy at the races, I shoot it. Actually, capturing racing bikers provided me a fantastic training to capture the peak of the moment. The other thing I deeply appreciate is architecture. I am glad for all the shoots for hi-end magazines, hotels and restaurants. Every new location brings in inspiration and I like to watch and study how the light changes the look and feel of the place. In a certain way, it affects my wedding photography too. I can quickly find the right spot and perspective to let the energy of the venue come alive in the shoot. It all just clicks. When not shooting, I spend most of my time with my friends and family, walking the dog in the forest and meadows. I read books, travel, visit art exhibitions, work on my bike and sometimes I visit my parents in the countryside and help them with the greenhouse. I bike, ski and swim. Life is good:) [Prague Wedding Photographer]

The love for reportage photography was born out of passion when I bought my first camera, a Nikon FM10 film in Guatemala, almost twenty years ago. I started photographing a few precious, intense and unrepeatable moments of my travels, from the most remote areas of Himalayan Asia to the most boundless areas of Tierra del Fuego, inextricably sealing my two strongest passions: travel and photographic reportage. My reportage photography was therefore born as a loving language, with the need to give small pieces of a dream, enhance and transmit the emotions that bring people's hearts close together. In reportage photography, the moment reigns everywhere sovereign, as well as in the most important day of the celebration of Love. It is precisely in the instant, which is the shortest imaginable moment, the lapse where a thousand spells occur, and where memories bring amazement and enchantment for a lifetime. For more than ten years I have been capturing the most beautiful moments on the most beautiful day of the couple's life, in Italy and abroad, gathering moments that make that day and one's own life unique. Every wedding deserves to be told through eyes and heart, this is the purpose of my art: to tell the beauty and emotions of your most important day and to make this precious moment eternal. Over the years I have exhibited my works in various exhibitions, and I am reported as a photographer on VOGUE. And now something about my travels: I have explored the world, in lands dotted with faces, landscapes, and silences, where peace and beauty kidnap the heart and nourish emotions. Ladak, Mongolia, Nepal, Cambodia, Patagonia, New Guinea, Myanmar, Guatemala, Namibia, India, Ceylon are just some of the countries where I was given the photographic emotion and I, therefore, shared it time to time as a gift. To those who have come to read these last lines I would like to give a story, a look: imagine you are at dusk, in the garden of one of the countless monasteries of the Ex Burma, or in the plain of the Golden Pagodas, or in any street in the countryside .. you find yourself with your nose up, without realizing it: each person, child or adult has a piece of thread in his hand, and with the skill of movement they float the small kite in the sky. Your gaze now shifts in their gaze. This is absolute sweetness. And this is the indelible memory of the country. [Ravenna Wedding Photographer]