DAVID BECKSTEAD, WASHINGTON
With a career that seems to be moving at the speed of light,
David Beckstead earned the Wedding Photojournalist Association's
first Photographer of the Year Award in 2002. What makes Beckstead
unique are images that reflect an artistry that often requires
the artist to test the edges of former photographic 'limits'.
But the artistic leading edge of wedding photography is exactly
where David Beckstead wants to be. As he recently explained to
a group of his peers, "move while shooting and shooting while
you're moving." It's a statement that is quite fitting for an
artist who's style is hard to pin down.
Ask him what his exposure is and he'll tell you that he just
"spins the dials" -- he overexposes and underexposes and fiddles
with any dial the equipment has on it. He takes risks that purposely
fly in the face of rules of so-called technical correctness. The
results are that his stunning artistic images not only 'wow' his
clients but have earned him the admiration of his colleagues.
Pushed further to explain his style, Beckstead wants badly to
explain it but, like most artists, his explanations are not about
technicalities.
"I'm not a very technical person," said Beckstead. "I want [the bride] to see me as a creator rather than a technical photographer."
Frustrating as this statement may be to colleagues looking to study what he does and how he does it, it seems to matter little to brides looking for something very artistically different. To them, results are the only thing that matter.
Asked what brides tell him about his work, Beckstead said, "Your web site made me cry" or "It brought out some emotional feelings in me and that is why I called. How can I get you to shoot my wedding? How can we get this done?" Somehow my web site clicks with certain brides."
Beckstead talks in terms of making the wedding day fun and working with couples that give him the freedom to explore their wedding day story. But he knows he took a risk by marketing his own style and vision rather than fitting himself
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